In your past did you take things apart just to see what’s inside?
This is the guts of a small cellphone, a slider version with a real keyboard. All these electronics packed into a space about the size of a deck of cards. Enabling near-instant communication with the world. What will this look like in 20 years?
Is it a coincidence we build at the micro scale much as the macro scale? Is there some most efficient form of construction that we are biased toward? I noticed how this cellphone is laid out very similar to the industrial section of many cities.
Flying into cities and viewing the assortment of buildings and roads has always fascinated me. Is there a plan, a pattern, a model that drives us to assemble areas in that fashion? And do we mimic that in the tiny world of personal electronics. I look at the image above, ignoring the obvious signs of microelectronics, and I see warehouses, roads, parking lots.
Fly into Silicon Valley and you’ll see names on the roofs of office buildings and distribution centers, proclaiming proudly the companies they house. Surrounding them are acres of cars, surrounded by even more buildings and roadways.
Large buildings connected to smaller buildings, all in service to the people who own the cars surrounding them. Communication paths for people and vehicles, mirrored in the infrastructure of fiber cables and wireless towers.I’m speculating in 20 years science and technology will have discovered means of creating personal electronics at an even smaller level, reducing what is seen here to the size seen in the structure of microprocessors. I’m also speculating that will good microscopes (or the cameras of the day!) viewing these incredibly tiny creations will reveal they continue to mimic what we see around us in the urban landscape.
Idealistic planners press for more greenspace, more walking paths, less reliance on automobiles and crowded housing structures. Yet the developers who drive urban construction continue to default with this layout.
Are we as a race so organized? Or is there some other force prodding our thinking and planning to this end?
What would a more organic approach look like?
What happens to the seeds failing to reach the ground? How frustrating that must be to the tree after all that work in spring, summer and fall. Will the sinking level of the snow gradually lower the seeds to earth where they can complete their mission?
Fall colors around here weren’t as I expected. The many people I’ve mentioned this to are mostly likely tired of hearing about it and would prefer the seasons move on to something new. Between being disappointed and being busy at work I’m only now starting to look through all my images to see how they may turn out.
So far a couple have caught my attention. Neither is the grand landscape of fall quilted colors, but rather portray those aspects unique to photography of showing something usually missed or very difficult to see.
This one is just a close-up of a few leaves. These were surrounded by hundreds of similar colored and shaped leaves but what caught my attention was how the lines and shadows enhanced the dimensionality of the composition. The light was just the right angle to bring out the surface details while being bright enough to highlight the color. All the little irregularities in the leaf, signs of its end, break up the linear nature of the image and bring some character to the subject. It’s a scene easily missed if you are literally looking at the forest instead of the trees.
This one is a multi-image HDR composition, with enough exposures to enable the viewer to see the rocks as well as the clouds at sunrise. The location overlooks Lake Michigan and that morning a strong wind was pushing 4-5 foot swells right into the rocky shoreline – hence the wispy appearance of the water. Standing there you would be able to see the sunrise or the rocks, but probably not both – the dynamic range was too great even for human eyes. I liked the color version but it was complex – grey rocks, green grass, pale blue water, pink/orange sunrise – and hard to decide on the subject. Turning it into B&W resolved much of the conflict, I believe. Now it portrays textures, from hard to soft, permanent to ethereal, giving a sense of anticipation of what might happen next across three distinct layers from bottom to top.
Getting hyped up about fall colors is easy to do since I have a history of color slides for my early photography experience. Each year I just want to capture that feeling again, only this time with better skills and “seeing” so that I’m amazed at the images. Some years it happens; some it doesn’t. What I have to keep remembering is there are scenes everywhere – just have to seek them out and make something of them.
With the fluctuations in temperature and wetness there are days when it feels like spring wants to stay in bed with the covers pulled up. Still, there is a gradual warming as the sun stays in the sky longer, and there are pockets of rain enough to encourage the plants to come out and get started on another year.
I got down close to see what’s coming up in the back yard forest and was rewarded with a few plants getting ready to bloom. Wrestling with the macro equipment, tripod and lighting was a challenge, one that made me start wondering whether I have the right tools for the job. Maybe I’d do more macro if it didn’t feel like I needed four arms! Nonetheless, the images worked out fine.
The trillium is a woodland flower that seems to appear overnight – suddenly they are everywhere showing off their three petal flower. I was lucky to find a few just getting ready to bloom.
The purple trout lily (named such apparently due to the spotted leaves) is all over the forest – looks like a new lawn coming up with all the green against the brown of the dead leaves. The blooms will open up and curve back soon so I’ll need to be ready for that.
It’s the time of year a photographer could just simply go to the same place in the woods everyday and expect to see something new. Have you looked in your yard lately?
Plants insist that spring is here now, in spite of the recent snow and chilly temperatures. Yeah, flowers get all the attention with their bright petals and colorful throats designed to attract pollinators. What does the beginning look like? Who pays attention to the small sprout coming up out of the cold ground announcing the change of seasons?
Well, I did lately. Playing around with a focusing rack designed for macro photography I made some really close images of early spring. I’m still learning the ins and outs of focus stacking, both the mechanical and processing tricks. Very short depth of field close-ups are perfect for this since you can control the viewer’s attention by defining what’s in focus and what’s not.
Here’s a crocus that’s made it up ready to bloom.
And here’s a peony sprout pushing its way up to form a stalk that will be 2-3 feet tall and support a huge blossom.
I liked the tones in this image. It was a cloudy day with the sun over my right shoulder and the lighting turned out looking like a studio set-up. But no, I’m down on my knees with my camera on the ground making a dozen images that will be blended into this broader depth of field. But about those tones. I thought this one would look better as a monochrome – let me know what you think.
I’m back on a sharpness kick. Guess it has to do with what happens when you take some time to really see what you’re looking at in the world around you. Snapping pictures casually is great for documenting your presence at a place and time, but to really show what you’re seeing means you’ve actually seen it. And really seeing is an individual activity – each person sees something unique, some aspect that defines the whole just for that person.
For me the incredible sharpness that results from good technique and good gear enhances the three dimensional appearance of the subject. Every nuance stands out but also merges with all the other elements to present the expected aspect of the subject. Sharpness enables the photographer to shape the story in the image, telling the viewer to pay attention here, but it’s OK if you ignore over there.
Flowers make great subjects for this type of work. They aren’t going anywhere, they have marvelous details, and although they constitute the scenery for a whole season, they are gone before you know it and won’t be back for a year. All this means paying attention to them right now, in this moment, returns wonderful rewards.
It’s also one place where color isn’t a distraction!